At its core, Criminal Justice is a tale of small miscalculations leading to grave consequences, feels Sreehari Nair.
'As the burkha-clad beauty Husna in Mere Mehboob, she inspired Shakeel Badayuni to compose Mere Mehboob Tujhe Meri Mohabbat Ki Kasam/Phir Mujhe Un Nargisi Aankhon Ka Sahara De De. Hasrat Jaipuri showered epithets like Nargis-e-Mastaana and Phoolon Ki Rani, Baharon Ki Malika on her in Arzoo.'
'Sriram Raghavan is mainstream Hindi cinema's greatest gift to us,' declares Sreehari Nair after watching the director's latest movie caper.
'Badlapur,' says Sreehari Nair, 'proves that sometimes there are more personal truths to be discovered in our trash cans than in our neatly arranged book-shelves.'
Barring a Shah Rukh Khan, an Akshay Kumar or a Preity Zinta, it is near impossible for most Indians to break into Bollywood's exclusive club of star children. Hearteningly, it is still possible for Indians born in middle class homes to become star technicians like 3 Idiots director Rajkumar Hirani. Patcy N and photographer N V Reuben traveled to Raju Hirani's home town Nagpur last week to discover how his journey to directorial superstardom began.
